Tuesday, 13 January 2015

I taught myself to play guitar

I was reminded of a worthy highlight from 2014 the other day, so in minimalist fashion I'm going to throw that out here and avoid a more comprehensive year-end synopsis of events.  David Fair from the indie legend band Half Japanese on How to Play Guitar:

"I taught myself to play guitar. It’s incredibly easy when you understand the science of it. The skinny strings play the high sounds, and the fat strings play the low sounds. If you put your finger on the string farther out by the tuning end, it makes a lower sound. If you want to play fast move your hand fast and if you want to play slower move your hand slower. That’s all there is to it. You can learn the names of notes and how to make chords that other people use, but that’s pretty limiting. Even if you took a few years and learned all the chords you’d still have a limited number of options. If you ignore the chords your options are infinite and you can master guitar playing in one day. Traditionally, guitars have a fat string on the top and they get skinnier and skinnier as they go down. But the thing to remember is it’s your guitar and you can put whatever you want on it. I like to put six different sized strings on it because that gives the most variety, but my brother used to put all of the same thickness on so he wouldn’t have so much to worry about. What ever string he hit had to be the right one because they were all the same. Tuning the guitar is kind of a ridiculous notion. If you have to wind the tuning pegs to just a certain place, that implies that every other place would be wrong. But thats absurd. How could it be wrong? It’s your guitar and you’re the one playing it. It’s completely up to you to decide how it should sound. In fact I don’t tune by the sound at all. I wind the strings until they’re all about the same tightness. I highly recommend electric guitars for a couple of reasons. First of all they don’t depend on body resonating for the sound so it doesn’t matter if you paint them. And also, if you put all the knobs on your amplifier on 10 you can get a much higher reaction to effort ratio with an electric guitar than you can with an acoustic. Just a tiny tap on the strings can rattle your windows, and when you slam the strings, with your amp on 10, you can strip the paint off the walls. The first guitar I bought was a Silvertone. Later I bought a Fender Telecaster, but it really doesn’t matter what kind you buy as long as the tuning pegs are on the end of the neck where they belong. A few years back someone came out with a guitar that tunes at the other end. I’ve never tried one. I guess they sound alright but they look ridiculous and I imagine you’d feel pretty foolish holding one. That would affect your playing. The idea isn’t to feel foolish."

 I had never heard of these guys but as it happens they have been around forever (well, 1975 anyway...).  However, I had seen and been deeply affected by  Jeff Feuerzeig’s documentary `The Devil and Daniel Johnston`  a few years ago., and just found out he also made a documentary on Half Japanese called `The Band That Would Be King`. Have to source that somehow.

In a more morbid vein, I found out poking around on the web that Kurt Cobain was wearing a Half Japanese T shirt when he died - Kurt says, regarding number 38 on the list `Kurt Cobain`s Top 50 Albums`` (http://www.angelfire.com/rock3/nirvana81/kurttop.htm):

Half Japanese - We Are They Who Ache With Amorous Love
Kurt says: "I like to listen to Jad Fair and Half Japanese with headphones on, walking around shopping malls - in the heart of the American culture. I just think that, if people could hear this music right now, they'd melt, they wouldn't know what to do, they'd start bouncing off the walls and hyperventilating. So I turn up the music really loud and pretend it's blasting through the speakers in the mall."
 Check this stuff out and feel all those anxieties and insecurities you cling to around gear, technique, and competitive self-importance start washing away.....

Saturday, 6 December 2014

Keep your minds open

Yet another RIP birthday went by this week which reminded me to follow up on my mention of bass-oriented YouTube discoveries back on the Maine vacation in August...  John Francis Anthony (Jaco) Pastorius, y'all, b, Dec 1, 1951.

I really do love the bass as an instrument. I own one, a very nice late 90's Fender Jazz in a classy tuxedo black/white scheme  and yes I can hack away in clumsy "it's the bottom four strings of a guitar, except lower" fashion but I can hardly claim to actually PLAY bass, for real.   I have a deep regard for those who truly can. 

I'm not even sure what I was originally looking for but in a stream-of-consciousness Youtube session one night on vacation I ran across an old Hot Licks instructional/demo video of Jaco, from 1986:


[sorry all, original link to video is dead, will replace if/when it becomes available again]


I started in casually watching but quickly realized what an astonishing, historic document this really was.  Jaco, arguably the most innovative bass player ever to live interviewed by towering bass legend Jerry Jemmot, and a live jam with John Scofield and Ken Dennard!  It is heart rending viewing knowing that within a year of filming Jaco would be living on and off the streets in the throes of mental illness before being beaten into a coma and eventual death in a Miami alley. 
I really started taking notice after the blaze of technical command and precision at 14:03... and another breathtaking display at 18:10 and an amazing off the cuff jam duet at 21:46...  Maybe this wasn't Jaco in his absolute prime but it is such a joy to watch one of the greatest that ever was.  One thing I found striking in the discussion on influences (54:11) it boiled down to Elvis, whatever was on the radio; eventually Jerry himself in the Atlantic era, Bernard Odum, Bootsy Collins, James Jamerson, Paul Chambers, Gary Peacock.  So in other words, nothing out of the ordinary - same people and things that influenced everyone else at the time, but he just took it way out into outer space. 
Jaco seems just a hair "behind the beat" here on the questions, a trifle hesitant but lucid and together.  Tons of great content for any stringed instrument player, and worth the watch just to see Jaco grinning madly in full command going toe to toe with John Scofield.  It blows my mind to think that he came to such a tragic end; just shows you it could happen to anyone. 

Saturday, 22 November 2014

You don't really care for music, do ya?

I missed posting this earlier in the week so it's a belated birthday RIP to Jeff Buckley for Tuesday Nov 17th.  Felt odd to learn that we were so close in age - that he would have been 48. It's one of those nearly alone in a dark house in the gloomy early winter pondering mortality kind of nights; I say nearly as daughter no 1 is locked away upstairs in self imposed isolation and no 2 is with Mom in Cincinnati on the first US Cheer competition of her season.  Today/tomorrow would also be brother JP's birthday; first one for which is no longer with us.
I went through a  Jeff Buckley bender a few years ago after an extremely emotional reaction to his iconic "Hallelujah" that just rotated in at random on the iPod one day - I didn't even know I had the track, which came in the "Rolling Stone Top 500 Songs" collection gifted me by younger brother PW.  The song seems to be everywhere these days.   Most recently I was aghast to be attending a school band concert and the junior choir launched into it.... a heavily sanitized and lyrically dumbed-down version as it turns out, though nonetheless made me want to laugh and scream at the same time.  I was holding my breath and squirming to have to hear a bunch of children actually singing "There was a time when you let me know.... What's really going on below....But now you never show it to me, do you?"  but thankfully they never went there.  I love everything about his "Grace" version, from the exhalation into the mic at the very beginning through the great playing with what I consider to be the best guitar sound ever.  Speaking of which, I was astonished to run across this video on YouTube and find I was too late to buy THAT guitar!  I would have wavered at the $60,000 it went for, especially some crazy '83 top-loader of all things, but was cool to think it was out there and available for a short while...

Of course the hilarious thing about it, for those wise to the Jeff Buckley lore, is that it wasn't even his.  It was a semi-permanent loner from Janine Nichols, one of the artistic directors for NYC's St Ann's, who finally got it back at Jeff's memorial service following his death (see definitive article at http://www.mojopin.org/pages/telecaster.php).  I think it is a great example of the artist being far more important than his tools, an extraordinary player shining on a rather ordinary instrument that no collector would give a second glance.  For those who have actually read this far and are still thinking "Jeff who....?" I refer you to the fine BBC 4 doc linked below.



(photo above top from Premier Guitar FB feed; no available credit)

Friday, 26 September 2014

The pride of Chapel Hill breaks my heart

I had yet another "satellite radio moment" in the car the other day when a song I'd never heard came on, from NC indie legends Superchunk.  The song was identified on my display as "Slack Mother" though it quickly became evident by first chorus that the title had been selectively abbreviated.  As far as songs worth screaming along to at a red light with the windows down in the last days before fall sets in, I don't think you can do much better.  Another one I totally missed back in the day, and this one considered to be one of the seminal indie hits of the '90s??  Well, better late than never.  A quick YouTube search revealed many worthy live versions but this one is my fave so far -


In any event, as is always the case with YouTube I was pulled down the "related link" rabbit hole and hit on a cover that Superchunk did for the AV Club program "AV Undercover".  AV creates a list of 25 songs every year and invites bands in to perform a song of their choosing in their Chicago office.  As a song is performed it's crossed off, so the later a band comes in the fewer songs they have to pick from.  As the program is in its 5th year there is quite a collection of on their website, and I spent several days working my way through them.  For the first couple of seasons they had the bands perform in a little round room a bit larger than an ensuite bathroom, which I thought was really great, though recently they have moved to a "bigger" venue.  Some highlights for me were They Might Be Giants doing "Tub Thumping", Nada Surf's beautiful melancholy "Bizarre Love Triangle" and a terrific cover of M Jackson's "PYT" by the Wood Bothers.  The hit that started me down the path though was the aforementioned Superchunk cover of the Cure's heart-breakingly great "In Between Days", one of my favorite songs of all time :


If the embedded video isn't working trip over to the AV site and burn a few hours watching through some great tunes,

http://www.avclub.com/video/superchunk-covers-the-cure-38884

Wednesday, 3 September 2014

Let me tell you something... children


So the Maine vacation is over - this year with some additional drama by way of an emergency appendectomy for older daughter T (all is well thankfully, and our sincere kudos to the fine folks at Midcoast Maine Hospital in Bath).  I always bring a guitar and have best of intentions for major woodshedding and iPad recording while I'm there but never seems to materialize according to plan.  Despite this, some inspiration came from unexpected, non-playing sources.  Before the hospital adventure kicked in I received word through facebook that Guided by Voices was simulcasting their show from the legendary Stone Pony in Asbury Park NJ on August 23rd via LiveNation.... I managed to catch a good chunk of the 2.5h + set in real time before flaming out, but caught the rest the next day, luckily, as LiveNation only kept the complete show up for a few days.  Only clips remain, though I will try to update if someone posts a complete version.

  https://screen.yahoo.com/live/event/guided-by-voices

What a great, great show - some cosmic moments as Bob kicked in "I Am A Scientist" twice, but even more freakishly,  I was thinking at one point "wow, it would be great to hear them do "My Valuable Hunting Knife"...." and it was literally the next song they played!! Rob drank himself into a stumbling collapse towards the end - I suppose this is part of the GBV legend but I wish he would take better care of himself.  There are not many artists that I truly admire and respect while having a deep internal resonance to their music, and Bob Pollard would be up at the top of that short list.  My introduction to the band came only a couple of years ago after a mention on the masterpiece TV show "The IT Crowd", followed by a purchase of the "Human Amusements at Hourly Rates" "best of" collection.  If you know anything about Bob you'll know what a joke it is to think his output could be surveyed on 2CDs, however it was enough to knock me over completely, and it became an ever-present soundtrack to what I think of now as the "2288" era, pre-2013.  Beyond the music itself though, I concur with Jason Wendleton who stated on his blog that "the band is a symbol for what it means to be an artist".  Jason does a great job running down some of the essentials in his tribute so I'll just refer the interested to it here:

http://defendingaxlrose.com/2012/05/06/your-next-favorite-band-guided-by-voices/


I've been thinking of putting a picture of Bob sternly frowning down on me in the studio for when I get lazy, tired, and complacent to remind myself of what true creative discipline is all about.  More on vacation inspiration in subsequent posts with a couple of thrilling discoveries in the low register vein, amazing archival videos of the late Jaco Pastorius and Larry Graham.


(Sorry, no photo credit available for above but it was taken from GBV's Facebook feed)








Wednesday, 9 July 2014

NAD, a North Carolina gem


Swart, 3 Monkeys, Megatone, Carr, Evans, Splawn, TopHat.... seems to be an improbably high number of "boo-teek" amp builders with roots in North Carolina these days.  I have been on the amp hunt for a while, after selling my '80s Mesa Mark IIB (finally...) and '79 Deluxe Reverb, followed by a couple of years of detour through modeling "solutions" (Avid Eleven Rack, Amplitube 3 and Zoom G3X).  I enjoy the modelers but I thought it was time for the "real thing" again.  As usual a few items slipped through my net, including a great Fryette Memphis 30, a Carr Sportsman (for only $999, aaaarggghhh!), a cheap George Benson Hot Rod deluxe, and most recently a Marshall JVM 215c.  I also actually pulled the trigger on a Mesa 5:50 Express (returned, not quite "it") and another HRD special edition (DOA??? No sound - another return).  So, all in all very frustrating and discouraging.  Another net slip was a TopHat Super deluxe Mk.2 that appeared on consignment at one of my local haunts.  Very rare on the used market up here but I've had TopHat on my radar since reading a Builder Profile on Brian Gerhard in Premier Guitar some time back and was very impressed with his philosophy and attitude.  See:

http://www.premierguitar.com/articles/Builder_Profile_Top_Hat_Amps

Annoyingly it was gone before I got around to checking it out, but in a freakish coincidence a month or so later another one appeared on the Guitars Canada sell/buy forum and as it turned out the seller lived just a few minutes from me, and I pulled the trigger.  Basically brand new, in a lovely blue tolex/white sparkle.  I was hesitant about an amp with no reverb but it at least gave me an excuse to buy a Strymon Flint!  Still in early days with it, but it has a throaty, clean, Vox-ish jangle - not overly loud at 30W (though, the rest of the family would surely debate me on that point!); sounds tremendous with the Timmy-Flint combination into the front end.  Reminds me of a really fine two-seater car - I may still need to get an SUV for daily business but it's a pleasure having such a refined example of hand-built craftsmanship.  Maybe I should work on a NC amp collection - back to the Splawn website for more research.....
 

Monday, 9 June 2014

In Memoriam updated, and a ray of light from a Hardcore Troubadour

My previous post on brother Paul's passing has now been updated to the text of the actual eulogy I gave at his memorial service on May 17th. 

Was flipping through XM stations in the car on the weekend and hit a tune that gave me an involuntary chill, it was so great!  Made me realize that doesn't happen very often.  Analyzing "why" is kind of pointless but now that I've downloaded from iTunes and listened to it about 1000 times in 2 days I understand a bit better.  

https://www.youtube.com/watch?v=trYtqya9MjU 

Clocks in at a perfect 2:42 and recording sounds wonderful, but Steve's vocal is a sputtering sneer that blurs and runs together in places in a masterwork of phrasing and timing.  Just try to sing along and deliver that line in verse 2 ("wherefore art thou Romeo you son of a Bit-chhh").  Same delivery but even more pronounced in the "live" shot prison concert video,

https://www.youtube.com/watch?v=NyRmz4jJb9I

On the list it goes of perfect Steve Earle gems, along with "Someday" and "My Old Friend the Blues"....